Syncopation

Syncopation is when the weak beak or up-beat is accented.

For a review of whole, half, quarter and eighth notes see Introducing Simple Rhythms and Eighth Notes.

It creates a feeling of forward motion and energy. In common time the weak beats are beats 2 and 4.

play_circle 𝄴 𝄽 𝅘𝅥 𝄽 𝅘𝅥 𝄂

Most commonly, though, the term syncopation is applied to rhythm patterns that accent the up-beat - the second half of a beat or subdivision of the beat.

play_circle 𝄴 𝅘𝅥𝅮 𝅘𝅥   𝅘𝅥𝅮 𝅘𝅥𝅮 𝅘𝅥   𝅘𝅥𝅮 𝄂

Counting Syncopation

Notice that beats 2 and 4 are hidden by the quarter notes. The parentheses around these beat numbers shows where the beat falls in the pattern, even though no note is articulated on those beats.

1& (2)&3& (4)&
play_circle 𝄴𝅘𝅥𝅮𝅘𝅥𝅘𝅥𝅮𝅘𝅥𝅮𝅘𝅥𝅘𝅥𝅮 𝄂

Speaking Syncopation

Speaking the rhythm is the same as we have looked at before. Just be careful to keep a steady beat when there is no word on the beat.

play_circle 𝄴𝅘𝅥𝅮𝅘𝅥  𝅘𝅥𝅮𝅘𝅥𝅮𝅘𝅥  𝅘𝅥𝅮 𝄂
titatititati

Examples of Syncopation

Below are some examples of rhythms using syncopation.
play_circle 𝄴 𝅘𝅥 𝅗𝅥   𝅘𝅥 𝄂
play_circle 𝄴 𝄽 𝅘𝅥 𝄽 𝅘𝅥 𝄂
play_circle 𝄴 𝅘𝅥𝅮 𝅘𝅥 𝅘𝅥𝅮 𝅘𝅥𝅮 𝅘𝅥 𝅘𝅥𝅮 𝄂
play_circle 𝄴 𝄾 𝅘𝅥 𝅘𝅥𝅮 𝄾 𝅘𝅥 𝅘𝅥𝅮 𝄂
play_circle 𝄴 𝅘𝅥𝅮 𝅘𝅥 𝅘𝅥 𝅘𝅥 𝅘𝅥𝅮 𝄂
play_circle 𝄴 𝄾 𝅘𝅥𝅮 𝄾 𝅘𝅥𝅮 𝄾 𝅘𝅥𝅮 𝄾 𝅘𝅥𝅮 𝄂
play_circle  𝄽 𝅘𝅥 𝅘𝅥 𝄂
play_circle  𝅘𝅥𝅮 𝅘𝅥 𝅘𝅥𝅮 𝅘𝅥 𝄂
play_circle  𝄾 𝅘𝅥 𝅘𝅥𝅮 𝅘𝅥 𝄂
play_circle  𝅘𝅥𝅮 𝅘𝅥 𝅘𝅥 𝅘𝅥𝅮 𝄂
play_circle  𝄾 𝅘𝅥𝅮 𝄾 𝅘𝅥𝅮 𝄾 𝅘𝅥𝅮 𝄂

Return to Writing Music Identifying Syncopation Rhythms