Ties are used to:
Extend notes over the barline.
play_circle 𝅘𝅥 𝅘𝅥𝄀 𝅘𝅥 𝄂
Connect notes that cross from a weak beat to a strong beat.
In common time, notes should not cross over from the 2nd to the 3rd beat.
Instead, they should be divided using a tie.
Notice that this rhythm sounds the same as the previous rhythm, but it is written in a different meter.
play_circle 𝅘𝅥 𝅘𝅥 𝅘𝅥 𝄂
Create more complex rhythms.
When writing complex rhythms it is important to not hide the beats. The use of ties makes this possible.
play_circle 𝅘𝅥 𝄂
This is the same rhythm but it is very hard to read because the beats are hidden.
play_circle 𝅘𝅥 𝅘𝅥 𝄂
Proper use of beams and ties makes rhythms much easier to read.
Counting Rhythms with Ties
Notice that beat 3 is in parentheses because the note is still sounding.
The parentheses around these beat number shows where the beat falls in the pattern, even though no note is articulated on those beats.
| 1 | 2 | (3) | & | 4 |
play_circle | 𝅘𝅥 | 𝅘𝅥 | | | 𝅘𝅥 𝄂 |
Speaking Rhythms with Ties
To help feel the beat when there is a tie, you can simply remove the consonant on the note following the tie.
So in this example, the ti-ti rhythm on beat 3 can be sung as i-ti to show that we don't actually articulate the eighth note on the 3rd beat
play_circle | 𝅘𝅥 | 𝅘𝅥 | | | 𝅘𝅥 𝄂 |
| ta | ta- | i | ti | ta |
Examples of Tied Rhythms
Below are a few examples of rhythms using ties. Ties are more common with 16th note rhythms.
In common time the most usual place for ties on eighth notes is between beat 2 and 3.
play_circle 𝅘𝅥 𝅘𝅥 𝅘𝅥 𝄂
play_circle 𝅘𝅥 𝄂
play_circle 𝄂
play_circle 𝅘𝅥 𝅘𝅥 𝄂
play_circle 𝅘𝅥 𝅘𝅥 𝄂
play_circle 𝅘𝅥 𝅘𝅥 𝅘𝅥 𝄂
play_circle 𝅘𝅥 𝄂
play_circle 𝄂
play_circle 𝅘𝅥 𝄂
play_circle 𝄂